‘A VIEW FROM THE BRIDGE’ - West End. May-Aug 2024

Head of Sound

Dominic West leads an all-star cast in this hotly anticipated production, as he is joined by Olivier and Tony Award nominee Kate Fleetwood (Harry Potter and the Deathly Hallows, Macbeth, London Road) and BAFTA Cymru award winner Callum Scott Howells, star of Channel 4’s It’s A Sin and West End phenomenon Cabaret.

Sound Designer: Gregory Clarke

Director: Lindsay Posner

‘STARTER FOR TEN’ - Bristol Old Vic. Feb-March 2024

Sound No. 2

Adapted from the hilarious novel by bestselling author David Nicholls and the popular 2006 film, Starter for Ten is a bright, big-hearted new musical. Featuring an irresistible original soundtrack inspired by the riotous student scene of the ’80s, this coming-of-age comedy is about love, belonging and the all-important difference between knowledge and wisdom.

Sound Designer: Gregory Clarke

Director: Charlie Parham

‘ARABIAN NIGHTS’ - Bristol Old Vic. November 2023 - January 2024

Sound No. 2

Schere has the quickest wits, greatest courage and most marvellous stories. Now she plans to liberate every young woman in the Kingdom from the greedy, tyrannical King. All through the power of her storytelling. But can she do this alone? And is the first person she has to turn to really her annoying younger sister? From writer Sonali Bhattacharyya (Chasing Hares, Young Vic) and director Blanche McIntyre (All’s Well That Ends Well, RSC) comes an Arabian Nights for modern times.

Sound Designer: Oguz Kaplangi

Director: Blanche Mcintyre

‘ANNA KARENINA’ - Bristol Old Vic/ Royal Lyceum Edinburgh June 2023

Sound No. 2 Cover

Tolstoy’s masterpiece reimagined. A heartbreaking story of relationships, marriage, and betrayal, Lesley Hart’s boldly theatrical adaptation brings the language bang up to date, while Polina Kalinina’s direction sweeps you up in the breathtaking pace of the story and places no limits on opulence, decadence and, above all, passion.

Sound Designer: Xana

Director: Polina Kalinina

‘WALDO’S CIRCUS OF MAGIC AND TERROR’ - Bristol Old Vic and Tour. April-June 2023

Sound No. 2

This spectacular new circus theatre musical is informed by historical research and the experiences of real performers. It is based on an original idea by Hattie Naylor (Ivan and the Dogs, The Night Watch) and co-written with Jamie Beddard (Messiah, The Elephant Man) with an original score by Charles Hazlewood (Paraorchestra). 

Waldo’s Circus of Magic & Terror is a large-scale collaboration between D/deaf, disabled, and non-disabled artists and creators and tours nationally in 2023.

Sound Designer: Andy Rose

‘HAMLET’ - Bristol Old Vic, Bristol. Oct-Nov 2022

Production Engineer/ Broadcast Engineer

This visceral new production directed by John Haidar (Richard III) excavates the dark subconscious of Shakespeare's greatest tragedy. 

Sound Designer/ Composer: Max Pappenheim

Director: John Haidar

'THE BORROWERS' - The Watermill Theatre, Newbury. Nov-Dec 2017

Sound Operator

The Borrowers was The Watermill Theatre's 2017 christmas show. Continuing the theatre's long known tradition of actor-musician shows, this show contained larger than life props and whitty comedy.

Sound Designer: David Gregory

Music: Tarek Merchant

Director: Paul Hart

'THE DEVILS' - Royal Central School of Speech and Drama. July 2017

Sound Operator

My role entailed: Assisting the Sound Designer in the programming of the mixing console (Yamaha QL1) and multiple software workspaces

Sound Designer: Daniel Balfour

Sound Hire: Stage Sound Services

The Devils is John Whiting's stage version of Aldous Huxley's 'The Devils of Loudon'. The show took place in Central's Embassy theatre with audiences of up to 250.

The Cast were the class of MA: Acting - Classical 2017, and was directed by Ben Naylor and Anna Healey.

'ALL ABOUT MY MOTHER' - Royal Central School of Speech and Drama. March 2017

Sound Designer

My Role Entailed: Composing music, creating sound effects content

Director: David Mercatali

All about my mother is Samuel Adamson's stage adaptation of Pedro Almodovar's screenplay. The show took place in Royal Central's Webber Douglas Studio, Central's main studio space at 60-90 seats depending on the layout.

The cast were half of Central's BA Acting 2017 year group, working in collaboration with BA Theatre Practice Students - myself being one of them.